Throughout the track, King relentlessly praises the merits of exploring the four corners of the United States, singing, “North east / Southwest / Coast to coast / If ain’t shit / It’s just kicks.” However, what’s truly remarkable about this track is King’s unique choice to infuse elements of both country and pop, a risk that can end disastrously ( Kid Rock, anyone?) - but he pulls it off. “North East South West” immediately follows, kicking off with a somewhat subdued drumming intro balanced by King’s preference toward a vocal style tinged with some alt-country harmonies. The synchronization of lead singer and guitarist Brian King’s pumped-up vocals and Prowse’s industrial drumming style gives the song a saturated overtone with guitar distortion on par with modern shoegaze group Yuck. Prowse is no stranger to playing at high decibel levels, however, he kicks it up a notch for this track. The album opens with the title track, a nostalgic anthem propelled forward by David Prowse‘s laser-sharp, signature bombshell drumming style. With the release of Near to the Wild Heart of Life, Japandroids have strengthened their legacy while re-claiming their place as British Columbia’s rock n’ roll darlings. Now, five years since the release of Celebration Rock, Japandroids have surprised friends, fans and the media with Near to the Wild Heart of Life, an album that no one knew was coming - literally. Second, Japandroids received quite a bit of positive publicity early in their career, when their 2012 sophomore release, Celebration Rock, caught the ear of several major music industry leaders such as Rolling Stone, Pitchfork and Spin. Since their inception in 2006, Japandroids have done two remarkable things: First, they carved a recognizable, niche sound for themselves within just a few years of forming, a challenge that most bands struggle with for years before finding a musical trademark that will separate them from the other two million artists on Spotify.
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